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- Sales Rank: #2505210 in Books
- Published on: 2015-03-04
- Number of items: 2
- Binding: Paperback
Most helpful customer reviews
76 of 81 people found the following review helpful.
Learning what we know
By Kathy Perutz
Some months ago, facing long illness, I read Thomas Mann's The Magic Mountain, and was enthralled by it, a book that ends with the outbreak of World War I and contains in its pages more or less everything that was known in the Western world at that time. When I finished the book, I felt restless; nothing else could measure up to the intensity and breadth of Mann's great novel. Then I read James Wood's review in The New Yorker, and felt that Zia Haider Rahman's book was exactly what I'd been seeking. As indeed it is. A wonderful book, written in clear prose that never grows arch or hectoring - thereby avoiding even the missteps of Mann - that looks at the world we have inherited in 2014 through the consciousness of a man who is aware of the sides and angles of whatever topic he is concentrating on. A Bengali, he is from the East, whereas his friend the banker (to whom the story is being told) is from Pakistan, the West, with India between them and the legacy of British colonialism all around. Zafar, the protagonist, goes to Afghanistan and finds the same attitudes, the same patronizing views of native inhabitants that he has learned at first hand at home in Bangladesh and in the sitting rooms of London, where he, a brilliant mathematician with an Oxford degree, is often treated as a curiosity, a colonial with a brain. This is only one of a labyrinth of themes that wend their way through this marvel of a book. Through it the reader learns to know what she already suspected, and confronts the reality of confusion and complexity. No either/ors, no good/bad, we are all only partly decipherable selves, containing goodness and violence, love and treachery, radiance and darkness.
5 of 5 people found the following review helpful.
The ending ruined it for me [no spoilers]
By Amos
This is a book very much assured of its own intelligence, which often comes across as a bit smug. I got it because I know a lot of the worlds it deals with first hand or through friends, and like the themes. However, much of the story's satisfaction hangs on how the threads are all brought together in the end, and--without spoiling anything--the ending left such a bad taste in my mouth that I retroactively disliked the rest of the book and gave it away rather than have to be reminded of it every time I see it on my shelf. It's possible that there are thematic justifications for the ending, but I found it gratuitous and it made the character--the only one in the book possibly likable--completely repulsive. What's to like?
0 of 0 people found the following review helpful.
Eye-opening
By Brooklyn musician
A stimulating story about the contemporary juxtaposition of East and West.
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